| Hildegard of Bingen and Musical Reception J Bain Cambridge University Press, 2015 | 26 | 2015 |
| Tonal structure and the melodic role of chromatic inflections in the music of Machaut J Bain Plainsong & Medieval Music 14 (1), 59-88, 2005 | 26 | 2005 |
| Theorizing the Cadence in the Music of Machaut J Bain Journal of Music Theory 47 (2), 325-362, 2003 | 26 | 2003 |
| A companion to Guillaume de Machaut D McGrady, J Bain Brill, 2012 | 18 | 2012 |
| “Messy Structure”? Multiple Tonal Centers in the Music of Machaut J Bain Music Theory Spectrum 30 (2), 195-237, 2008 | 15 | 2008 |
| hildegard, hermannus, and late Chant Style J Bain Journal of Music Theory 52 (1), 123-149, 2008 | 15 | 2008 |
| Capturing Early Notations in MEI: The Case of Old Hispanic Neumes E De Luca, J Bain, I Behrendt, I Fujinaga, K Helsen, A Ignesti, D Lacoste, ... Musiktheorie 34 (3), 229-249, 2019 | 9 | 2019 |
| Optical music recognition and manuscript chant sources K Helsen, J Bain, I Fujinaga, A Hankinson, D Lacoste Early Music 42 (4), 555-558, 2014 | 9 | 2014 |
| Hooked on Ecstasy: Performance ‘Practice’and the Reception of the Music of Hildegard of Bingen J Bain The sounds and Sights of Performance in Early Music: Essays in Honour of …, 2009 | 9* | 2009 |
| Hildegard on 34th Street: Chant in the marketplace J Bain ECHO: A music-centered journal, 2004 | 9 | 2004 |
| 5.‘... et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs J Bain A Companion to Guillaume de Machaut, 79-101, 2012 | 8 | 2012 |
| Balades 32 and 33 and the res dalemangne J Bain Machaut's music: New interpretations, 2003 | 6 | 2003 |
| The Cambridge Companion to Hildegard of Bingen J Bain Cambridge University Press, 2021 | 5 | 2021 |
| Fourteenth-century French secular polyphony and the problem of tonal structure JL Bain State University of New York at Stony Brook, 2001 | 5 | 2001 |
| Hildegard of Bingen and Her Scribes M Fassler, J Bain The Cambridge Companion to Hildegard of Bingen, 280, 2021 | 4 | 2021 |
| History of a book: Hildegard of Bingen's ‘Riesencodex’and World War II J Bain Plainsong & Medieval Music 27 (2), 143-170, 2018 | 4 | 2018 |
| Family ties and the Salzinnes Antiphonal J Bain, JE Dietz STUDI MUSICALI-NUOVA SERIE, 105-145, 2010 | 4 | 2010 |
| Music, Liturgy, and Intertextuality in Hildegard of Bingen’s Chant Repertory J Bain The Cambridge Companion to Hildegard of Bingen, 209-34, 2021 | 3 | 2021 |
| Morfologija srednjovjekovnih zapisa u projektu Optičko prepoznavanje neuma (Optical Neume Recognition project) K Helsen, I Behrendt, J Bain Arti musices: hrvatski muzikološki zbornik 48 (2), 241-266, 2017 | 3 | 2017 |
| Why Size Matters: Music Layout and Order in the Machaut Manuscripts J Bain Digital Philology: A Journal of Medieval Cultures 5 (1), 74-103, 2016 | 3 | 2016 |
Ichiro FujinagaProfessor, Music Technology Area, Schulich School of Music, McGill UniversityVerified email at mcgill.ca
