Communicating expressive intentions with a single piano note FB Baraldi, GD Poli, A Rodá Journal of New Music Research 35 (3), 197-210, 2006 | 48 | 2006 |
Tsiganes, musique et empathie FB Baraldi (No Title), 2013 | 42* | 2013 |
All the pain and joy of the world in a single melody: A Transylvanian case study on musical emotion FB Baraldi Music Perception 26 (3), 257-261, 2009 | 32 | 2009 |
Measuring aksak rhythm and synchronization in Transylvanian village music by using motion capture F Bonini-Baraldi, E Bigand, T Pozzo Empirical Musicology Review 10 (4), 265-291, 2015 | 23 | 2015 |
L'émotion en partage: Approche anthropologique d'une musique tsigane de Roumanie F Bonini Baraldi Paris 10, 2010 | 16* | 2010 |
The Gypsies of Ceuaş, Romania: An ‘emotional minority’ F Bonini Baraldi R. Statelova, A, 2008 | 14 | 2008 |
Roma music and emotion F Bonini Baraldi Oxford University Press, 2021 | 12 | 2021 |
L’expérience de la musique instrumentale dans les veillées funéraires des Tsiganes de Transylvanie F Bonini-Baraldi Frontières 20 (2), 67-70, 2008 | 12 | 2008 |
Embodied Interaction with "Sonic Agents": An Anthropological Perspective FB Baraldi The Routledge Companion to Embodied Music Interaction, 207-214, 2017 | 9 | 2017 |
Jouer aux noces, puis entre soi. Le cycle de l’émotion chez les musiciens tsiganes de Transylvanie FB Baraldi Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2010 | 9 | 2010 |
La douceur: critère d’appréciation musicale chez les tsiganes de Transylvanie F Bonini Baraldi Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2015 | 8 | 2015 |
‘C’était toi ma pitié’Le discours pleuré dans les veillées funéraires des tsiganes de Transylvanie F Bonini Baraldi La voix actée. Pour une nouvelle éthnopoétique, 211-28, 2010 | 8* | 2010 |
Inveja e corpo fechado no Maracatu de baque solto Pernambucano F Bonini Baraldi Sociologia & Antropologia 11 (3), 995-1023, 2021 | 6* | 2021 |
Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque Solto. MEP Davies, M Fuentes, J Fonseca, L Aly, M Jerónimo, FB Baraldi, ... ISMIR, 795-802, 2020 | 6 | 2020 |
Como estudar a emoção musical? Propostas metodológicas a partir de pesquisa junto aos ciganos da Transilvânia (Romênia) FB Baraldi Sociologia & Antropologia 6, 699-734, 2016 | 6 | 2016 |
On the use of automatic onset detection for the analysis of maracatu de baque solto J Fonseca, M Fuentes, F Bonini Baraldi, M EP Davies Perspectives on Music, Sound and Musicology: Research, Education and …, 2021 | 5 | 2021 |
The Watch for the Dead and the Experience of milă: Between the Representation of Sorrow and its Effect BB Filippo Audiovisual Media and Identity in Southeastern Europe, Cambridge, Cambridge …, 2011 | 4 | 2011 |
Plan séquence d'une mort criée F Bonini Baraldi Écouter le monde/Around music, 2005 | 4 | 2005 |
Envy and “corporeal lockdown” in Maracatu de baque solto (Brazil) FB BARALDI Proceedings of “The Healing and Emotional Power of Music and Dance, 47, 2022 | 3 | 2022 |
Aksak patterns and entrained interaction in Transylvanian Village Music M Clayton Empirical Musicology Review 10 (4), 292-301, 2015 | 3 | 2015 |