Jason Freeman
Jason Freeman
Professor, School of Music, Georgia Tech
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Cited by
Cited by
Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance
J Freeman
Computer Music Journal 32 (3), 25-41, 2008
Engaging underrepresented groups in high school introductory computing through computational remixing with EarSketch
J Freeman, B Magerko, T McKlin, M Reilly, J Permar, C Summers, ...
Proceedings of the 45th ACM technical symposium on Computer science …, 2014
Earsketch: A steam-based approach for underrepresented populations in high school computer science education
B Magerko, J Freeman, T Mcklin, M Reilly, E Livingston, S Mccoid, ...
ACM Transactions on Computing Education (TOCE) 16 (4), 1-25, 2016
Collaborative textual improvisation in a laptop ensemble
J Freeman, AV Troyer
Computer Music Journal 35 (2), 8-21, 2011
Large audience participation, technology, and orchestral performance
J Freeman
Proceedings of the 2005 International Computer Music Conference, 757-760, 2005
massMobile–an Audience Participation Framework
N Weitzner, J Freeman, S Garrett, YL Chen
echobo: A mobile music instrument designed for audience to play
SW Lee, J Freeman
Ann Arbor 1001 (48109-2121), 10-44, 2013
Creativity in authentic STEAM education with EarSketch
S Engelman, B Magerko, T McKlin, M Miller, D Edwards, J Freeman
Proceedings of the 2017 ACM SIGCSE Technical Symposium on Computer Science …, 2017
EarSketch: Teaching computational music remixing in an online Web Audio based learning environment
A Mahadevan, J Freeman, B Magerko, JC Martinez
Web Audio Conference, 2015
Tackling engagement in computing with computational music remixing
B Magerko, J Freeman, T McKlin, S McCoid, T Jenkins, E Livingston
Proceeding of the 44th ACM technical symposium on Computer science education …, 2013
Soundscape composition and field recording as a platform for collaborative creativity
J Freeman, C Disalvo, M Nitsche, S Garrett
Organised Sound 16 (3), 272-281, 2011
Web-based collaboration, live musical performance and open-form scores
J Freeman
International Journal of Performance Arts and Digital Media 6 (2), 149-170, 2010
Real-time music notation in mixed laptop–acoustic ensembles
SW Lee, J Freeman
Computer Music Journal 37 (4), 24-36, 2013
The architecture of auracle: a real-time, distributed, collaborative instrument
C Ramakrishnan, J Freeman, K Varnik
Proceedings of the 2004 conference on New interfaces for musical expression …, 2004
EarSketch: An integrated approach to teaching introductory computer music
S McCoid, J Freeman, B Magerko, C Michaud, T Jenkins, T Mcklin, H Kan
Organised Sound 18 (2), 146-160, 2013
Creative collaboration between audiences and musicians in Flock
J Freeman, M Godfrey
Digital Creativity 21 (2), 85-99, 2010
Towards a hybrid recommendation system for a sound library
J Smith, D Weeks, M Jacob, J Freeman, B Magerko
IUI Workshops, 2019
Authenticity and personal creativity: How EarSketch affects student persistence
T McKlin, B Magerko, T Lee, D Wanzer, D Edwards, J Freeman
Proceedings of the 49th ACM Technical Symposium on Computer Science …, 2018
Preface: Virtual scores and real-time playing
A Clay, J Freeman
Routledge 29 (1), 1-1, 2010
Technology, real-time notation, and audience participation in flock
J Freeman, M Godfrey
International Computer Music Conference, 2008
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