| 'First both': Introduction to'the Performance Issue' J Heron, N Johnson Journal of Beckett Studies 23 (1), 1-10, 2014 | 303* | 2014 |
| Critical pedagogies and the theatre laboratory J Heron, N Johnson Research in Drama Education: The Journal of Applied Theatre and Performance …, 2017 | 25 | 2017 |
| Virtual Play in Free-Viewpoint Video: Reinterpreting Samuel Beckett for Virtual Reality N O’Dwyer, N Johnson, E Bates, R Pagés, J Ondřej, K Amplianitis, ... 2017 IEEE International Symposium on Mixed and Augmented Reality (ISMAR …, 2017 | 18 | 2017 |
| Exploring volumetric video and narrative through Samuel Beckett’s Play N O'Dwyer, N Johnson International Journal of Performance Arts and Digital Media 15 (1), 53-69, 2019 | 16 | 2019 |
| Mixed reality and volumetric video in cultural heritage: Expert opinions on augmented and virtual reality N O’Dwyer, GW Young, N Johnson, E Zerman, A Smolic International conference on human-computer interaction, 195-214, 2020 | 14 | 2020 |
| Beckett in VR: Exploring narrative using free viewpoint video N O'Dwyer, N Johnson, R Pagés, J Ondřej, K Amplianitis, E Bates, ... ACM SIGGRAPH 2018 Posters, 1-2, 2018 | 12 | 2018 |
| A spectrum of fidelity, an ethic of impossibility: Directing beckett N Johnson The Plays of Samuel Beckett, 152-164, 2013 | 12 | 2013 |
| Experimental Beckett: Contemporary Performance Practices NE Johnson, J Heron Elements in Beckett Studies, 2020 | 11 | 2020 |
| Experimental Beckett NE Johnson, J Heron | 11* | |
| A Theatre of the Unword: Censorship, Hegemony and Samuel Beckett N Johnson Ireland, Memory and Performing the Historical Imagination, 36-54, 2014 | 10 | 2014 |
| Samuel Beckett in Virtual Reality: Exploring narrative using free viewpoint video N O'Dwyer, N Johnson, E Bates, R Pagés, J Ondřej, K Amplianitis, ... Leonardo, 166-171, 2018 | 8 | 2018 |
| "The Neatness of Identifications": Transgressing Beckett's Genres in Ireland and Northern Ireland, 2000–2015 N Johnson Staging Beckett in Ireland and Northern Ireland, 185–202, 2016 | 8 | 2016 |
| The Samuel Beckett Laboratory 2013 J Heron, N Johnson, BÎ Dinçel, G Quinn, SJ Scaife, Á Josephine Tyrrell Journal of Beckett Studies 23 (1), 73-94, 2014 | 8 | 2014 |
| ‘Void cannot go’: Trauma and actor process in the theatre of Samuel Beckett NE Johnson Samuel Beckett and trauma, 46-68, 2018 | 6 | 2018 |
| Virtual Play: Beckettian Experiments in Virtual Reality N Johnson, N O’Dwyer Contemporary Theatre Review, Interventions 28 (1), 2018 | 6 | 2018 |
| Performative Criticism: Samuel Beckett and Georges Duthuit NE Johnson Journal of Art Historiography, NEJ1, 2013 | 6 | 2013 |
| Influencing Beckett Beckett Influencing A Rákóczy, MH Tanaka, NE Johnson | 6* | |
| Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject NE Johnson Theatre Research International 37 (1), 38-48, 2012 | 5 | 2012 |
| Rethinking Difference and Disability with Samuel Beckett N Johnson The Irish Times 27 (July), 2018 | 4 | 2018 |
| Analogue Krapp in a Digital Culture Reviewed 28 April 2010, Gate Theatre, Dublin N Johnson Journal of Beckett Studies 20 (2), 213-220, 2011 | 4 | 2011 |
Néill O'DwyerComputer Science, Trinity College DublinVerified email at tcd.ie
