| Stereotomy of wave jointed blocks: Toward a wave-jointed stone construction using wire cutter toolpath generation S Weir, D Moult, S Fernando Robotic fabrication in architecture, art and design 2016, 284-293, 2016 | 16 | 2016 |
| Towards a multi-criteria framework for stereotomy–Workflows for subtractive fabrication in complex geometries S Fernando, S Weir, D Reinhardt, A Hannouch Journal of Computational Design and Engineering 6 (3), 468-478, 2019 | 14 | 2019 |
| Design and Fabrication of a ruled surface vault with the Exquisite Corpse S Weir, DW O’Connor, R Watt, D Reinhardt, S Fernando, J Dibbs Nexus Network Journal 20, 723-740, 2018 | 8 | 2018 |
| ’Surveying stereotomy: Investigations in arches, vaults and digital stone masonry’ S Fernando, R Saunders, S Weir ARCC 2015 Conference–The FUTURE of Architectural Research, 82, 2015 | 7 | 2015 |
| The Ontographic Turn: From Cubism to the Surrealist Object S Weir, Dibbs, Jason Anthony Open Philosophy 2 (1), 384-398, 2019 | 6 | 2019 |
| Xenia in Vitruvius' Greek house: andron, ξείνία and xenia from Homer to Augustus S Weir The Journal of Architecture 20 (5), 868-883, 2015 | 6 | 2015 |
| Art and Ontography S Weir Open Philosophy 3 (1), 400-412, 2020 | 5 | 2020 |
| Object Oriented Ontology and the Challenge of the Corinthian Capital S Weir Make Sense, 114-116, 2020 | 4 | 2020 |
| Living and Nonliving Occasionalism S Weir Open Philosophy 3 (1), 147-160, 2020 | 4 | 2020 |
| Architecture and Object-Oriented Ontology: Simon Weir in Conversation with Graham Harman S Weir, G Harman Architecture Philosophy 5 (2), 56-77, 2021 | 3 | 2021 |
| Waterjet and wire-cutting workflows in stereotomic practice: Material cutting of wave jointed blocks S Fernando, D Reinhardt, S Weir Protocols, flows and glitches. 22nd International Conference for Computer …, 2017 | 3 | 2017 |
| Salvador Dalí’s interiors with Heraclitus’s concealment S Weir The Interior Architecture Theory Reader, 195-201, 2018 | 2 | 2018 |
| On the origin of the architect: Architects and xenía in the ancient Greek theatre S Weir Interstices 17 (2017), 9-17, 2017 | 2 | 2017 |
| Simulating Self Supporting Structures S Fernando, D Reinhardt, S Weir SharingofComputableKnowledge!, 177, 2017 | 2 | 2017 |
| Surrealist Architecture: Dalí’s 1958 Crisalida, San Francisco S Weir Journal of Surrealism and the Americas 13 (1), 112-131, 2022 | 1 | 2022 |
| Object-Oriented Ontology in the Design Studio: A Dialogue Between Simon Weir and Graham Harman Across Architecture and Philosophy S Weir, G Harman Architecture and Culture 10 (2), 226-242, 2022 | 1 | 2022 |
| Making space for degenerate thinking: revaluing architecture with Friedrich Nietzsche S Weir, G Hill arq: Architectural Research Quarterly 25 (2), 125-132, 2021 | 1 | 2021 |
| Domestic Hybrids: Vitruvius’ Xenia, the Surrealist’s Minotaure, and Shrigley’s Octopus S Weir Open Philosophy 6 (1), 20220263, 2023 | | 2023 |
| What Dalí Owes La nature VS de Mingo, S Weir Dada/Surrealism 24 (1), 2023 | | 2023 |
| Salvador Dalí in Rem Koolhaas’ Delirious New York S Weir The Journal of Architecture 27 (2-3), 398-419, 2022 | | 2022 |
dagmar reinhardtFaculty of Architecture, The University of SydneyVerified email at sydney.edu.au
