Federica Bressan
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Citado por
A systemic approach to the preservation of audio documents: Methodology and software tools
F Bressan, S Canazza
Journal of Electrical and Computer Engineering 2013, 2013
Tape music archives: from preservation to access
C Fantozzi, F Bressan, N Pretto, S Canazza
International Journal on Digital Libraries 18 (3), 233-249, 2017
An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings
F Bressan, R Bertani, C Furlan, F Simionato, S Canazza
Journal of Cultural Heritage 18, 313-320, 2016
The safeguard of audio collections: A computer science based approach to quality control. The case of the sound archive of the Arena di Verona
F Bressan, A Rodà, S Canazza, F Fontana, R Bertani
Advances in Multimedia 2013 (2013), 14, 2013
The challenge of preserving Interactive Sound Art: A multi-level approach
F Bressan, S Canazza
International Journal of Arts and Technology 7 (4), 294-315, 2014
Toward an informed procedural approach to the preservation of audio documents: the case of the “fondazione arena di verona” archive,”
F Bressan, A Roda, S Canazza, F Fontana
Proceedings of Sharing Cultures, 177-185, 2011
Honey, I burnt the tapes! A study on thermal treatment for the recovery of magnetic tapes affected by Sticky Shed Syndrome
F Bressan, S Canazza, R Bertani
IASA journal 44, 53-64, 2015
Pavarotti sings again: A multidisciplinary approach to active preservation of the audio collection at the Arena di Verona
F Bressan, S Canazza, A Rodà, R Bertani, F Fontana
Journal of New Music Research 42 (4), 364-380, 2013
Preserving today for tomorrow: A case study of an archive of Interactive Music Installations
F Bressan, S Canazza, A Roda, N Orio
Proceedings of WEMIS-Workshop on Exploring Musical Information Spaces, 2009
Embodied, participatory sense-making in digitally-augmented music practices: theoretical principles and the artistic case “SoundBikes”
PJ Maes, V Lorenzoni, B Moens, J Six, F Bressan, I Schepers, M Leman
Critical Arts 32 (3), 77-94, 2018
PLXTRM: Prediction-Led eXtended-guitar Tool for Real-time Music applications and live performance
T Vets, J Degrave, L Nijs, F Bressan, M Leman
Journal of New Music Research 46 (2), 187-200, 2017
Gamified music improvisation with BilliArT: a multimodal installation with balls
T Vets, L Nijs, M Lesaffre, B Moens, F Bressan, P Colpaert, P Lambert, ...
Journal on Multimodal User Interfaces 11 (1), 25-38, 2017
A multimodal interactive installation for collaborative music making: from preservation to enhanced user design
F Bressan, T Vets, M Leman
25th Anniversary Conference of the European Society for the Cognitive …, 2017
The Vicentini sound archive of the Arena di Verona Foundation: A preservation and restoration project
F Bressan, S Canazza, D Salvati
Proceedings of WEMIS-Workshop on Exploring Musical Information Spaces, 2009
Hermeneutic implications of cultural encoding: A reflection on audio recordings and interactive installation art
F Bressan, S Canazza, T Vets, M Leman
Italian research conference on Digital Libraries, 47-58, 2016
A framework for the description of age-related symptoms in audio media: Definition and implementation
F Bressan
Studies in Conservation 65 (4), 189-199, 2020
Active preservation of analogue audio documents: a summary of the last seven years of digitization at CSC
N Pretto, A Russo, F Bressan, V Burini, A Roda, S Canazza
Proceedings of the 17th Sound and Music Computing Conference, SMC20, 394-398, 2020
The impact of thermal treatment on magnetic tapes: An exploratory study combining chemical analyses and audio features
F Bressan, A Rodà, R Bertani
Audio Engineering Society Conference: 2018 AES International Conference on …, 2018
Applications of duplicate detection in music archives: from metadata comparison to storage optimisation
J Six, F Bressan, M Leman
Italian Research Conference on Digital Libraries, 101-113, 2018
Digital philology in audio long-term preservation: a multidisciplinary project on experimental music
F Bressan, S Canazza
Procedia Computer Science 38, 48-51, 2014
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