Antonio Rodà
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Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance*
G De Poli, A Rodà, A Vidolin
Journal of New Music Research 27 (3), 293-321, 1998
Modeling and control of expressiveness in music performance
S Canazza, G De Poli, C Drioli, A Roda, A Vidolin
Proceedings of the IEEE 92 (4), 686-701, 2004
An abstract control space for communication of sensory expressive intentions in music performance
S Canazza, G Poli, A Rodà, A Vidolin
Journal of New Music Research 32 (3), 281-294, 2003
On the role of auditory feedback in robot-assisted movement training after stroke: review of the literature
G Rosati, A Rodà, F Avanzini, S Masiero
Computational intelligence and neuroscience 2013, 11, 2013
Audio morphing different expressive intentions for multimedia systems
S Canazza, G De Poli, C Drioli, A Rodà, A Vidolin
Ieee Multimedia 7 (3), 79-83, 2000
Clustering affective qualities of classical music: beyond the valence-arousal plane
A Roda, S Canazza, G De Poli
IEEE Transactions on Affective Computing 5 (4), 364-376, 2014
Communicating expressive intentions with a single piano note
FB Baraldi, GD Poli, A Rodà
Journal of New Music Research 35 (3), 197-210, 2006
Analysis and synthesis of expressive intention in a clarinet performance
S Canazza, G De Poli, A Roda, A Vidolin
Proceedings of the 1997 International Computer Music Conference, 113-120, 1997
Archaeology and virtual acoustics-a pan flute from ancient Egypt
F Avanzini, S Canazza, G De Poli, C Fantozzi, N Pretto, A Roda, I Angelini, ...
Proceedings of the 12th International Conference on Sound and Music …, 2015
Physical movement and musical gestures: a multilevel mapping strategy
D Fenza, L Mion, S Canazza, A Roda
Proceedings of Sound and Music Computing Conference, Salerno, 2005
Kinematics-energy space for expressive interaction in music performance
S Canazza, G De Poli, A Rodà, A Vidolin, P Zanon
Proceedings of MOSART, Workshop on current research directions in Computer …, 2001
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure.
N Orio, A Rodà
ISMIR, 543-548, 2009
Entertaining Listening by means of the Stanza Logo-Motoria, an Interactive Multimodal Environment
S Zanolla, S Canazza, A Rodá, A Camurri, G Volpe
Entertainment Computing, 2013
Integrating auditory feedback in motor rehabilitation systems
F Avanzini, A De Götzen, S Spagnol, A Rodá
Proc. Int. Conf. Multimodal Interfaces for Skills Transfer (SKILLS09 …, 2009
A sound localization based interface for real-time control of audio processing
D Salvati, S Canazza, A Roda
Proceedings of the 14th International Conference on Digital Audio Effects …, 2011
CaRo 2.0: an interactive system for expressive music rendering
S Canazza, GD Poli, A Rodà
Advances in Human-Computer Interaction 2015, 2, 2015
Toward an automatically generated soundtrack from low-level cross-modal correlations for automotive scenarios
M Cristani, A Pesarin, C Drioli, V Murino, A Rodà, M Grapulin, N Sebe
Proceedings of the 18th ACM international conference on Multimedia, 551-560, 2010
The role of individual difference in judging expressiveness of computer-assisted music performances by experts
GD Poli, S Canazza, A Roda, E Schubert
ACM Transactions on Applied Perception (TAP) 11 (4), 22, 2015
The safeguard of audio collections: a computer science based approach to quality control--the case of the sound archive of the arena di verona
F Bressan, A Rodà, S Canazza, F Fontana, R Bertani
Advances in Multimedia 2013, 7, 2013
Computational Creativity and Music Generation Systems: an Introduction to the State of the Art
F Carnovalini, A Rodà
Frontiers in Artificial Intelligence 3, 14, 2020
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